The movement performer is almost like a subconscious extension of the musician who, in this case, is also the composer of the piece. She carries an internal dialogue that is opaque, one that never becomes completely explicit, revealing emotional states that remain contained within him through restrained and weighted movement. She dislocates predominantly across the horizontal plane, occasionally moving closer to the musician before retreating again. Their proximity fluctuates throughout the film, gradually reducing the distance between them as the piece progresses, while never becoming entirely narrative.